A blog by an independent author with a particular interest in short stories.
Andrew Stanton: The clues to a great story
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Filmmaker Andrew Stanton ("Toy Story," "WALL-E") shares what he knows about storytelling -- starting at the end and working back to the beginning. (Contains graphic language ...)
Summary: "A mythology grew up around the Ferrymen, fostered by a mystique which they wrapped around themselves. Some thought them amoral servants of a ruling elite, sanctioned to undertake work beyond legitimate resolution; others with more fanciful imaginations – or who were more devout, depending on your point of view – believed them emissaries of Evil, with a capital E." Could the Ferrymen become real in your lifetime? Should they? Read this thoughtful and disturbing near-future science fiction story and decide for yourself. Review: This was a fantastic short story. "Well-written" doesn't even begin to describe Ferryman ; it's engrossing. The simple, clean style perfectly highlights our precise protagonist. If this future Edwards presents to us does in fact become a reality, the character he describes is exactly the type of person who would become a Ferryman: highly competent with the hint of a god complex. What's especially clever abou...
Summary: In 9th century France, the zealous warrior Ragenard is finally within striking distance of his greatest enemy, a necromancer dead-set on disturbing the natural order of Creation. Their final battle ensues; one combatant fights with wrought iron and the other with the risen dead, although all is not as it seems about the two opponents and their enmity. Review: A fun, interesting tale by Creaney. Despite the modern publication date, it felt reminiscent of Old English lore (i.e. Beowulf). While those old tales were created to make larger than life heros in a clear battle of good vs. evil, Creaney adds a subtle twist to his own story making it more "psychological" rather than "horror." In the popular warrior vs. necromancer fantasy battle, the warrior is almost always seen in a good light. The warrior represents everything that is pure, the necromancer messed around with dead stuff so, obviously, he must be bad. What Creaney presents to us ...
“I’m afraid I’ll die before you kiss me.” “That should be the opening of your new novel,” Sam says to me. “Antonio, six-foot-six and every inch a man, peered down at her four-foot-two frame, and said, ‘From up here I can barely see you.’” “You’re cruel!” I say, slumping lower in my chair. “‘Antonio, you brute,’ she said. ‘I love you madly.’ Standing on her tippy-toes, stretching up her arms, straining through her fingertips, she reached for his nipples. They seemed as big as frying pans.” “Frying pans?” Sam looks at me askance. “Okay, pancakes.” I giggle. “With butter and maple syrup,” Sam says, and I nod. He continues, “Slowly, one millimeter at a time, she dragged herself along the ripples of his stomach, pulling herself ...
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